Set at the dawn of America's environmental consciousness, late 1970's, early '80's, pretty Ellowyn Kelsey is a redneck girl living the pretty redneck life in rural Michigan. She's waiting for her roofer husband to come around...Her self-imposed lobotomy ends when she shows up at the wrong time for a church picnic, meeting a bunch of birders instead. Watching a mating pair of bluebirds tending to one another causes something in her to break. Everyone recognizes what she's going through except her--the depth of her pain and emotion holds her captive. How can she be the last to know? She is indignant, hurt, has no idea how to process the emotional sideswipe. Her pain is expressed through the crazy narcissistic melodrama of youth, her reluctant unabashed accomplice is her best friend, Patty.

Part II finds her experiencing yet another major loss. She finds refuge in nature making true her mother's prediction--a chasm may form between her new and old life, between she and Patty. The narcissism of her youth wears off and she starts to care about something bigger than herself (God forbid!)--her own planet. The "rednecks and assorted white trash" of her town waste no time labeling her as their own "token environmental wacko". A new guy shows up, his heart in one hand, binoculars in the other...She meets Kate, one of the first female biologists to be hired by the Michigan Fish and Game Department. A trailblazer in a male-dominated profession, Kate has spent her life fighting to "protect the environment". It hasn't worked out. Kate's very angry. Who wants to end up like her?

Accompanied by her faithful mutt, Ellie leaves Michigan to travel "out west" where her sister lives, resulting in some unexpected experiences: spirits in the desert, an accidental crusade against a development, geographically diverse sexual encounters. Then there are those amazing sandhill cranes (who is this guy in my tent?). Is this her way of dealing with her transformation, maybe loving someone again?

Set at the dawn of America's environmental consciousness, late 1970's, early '80's, in Part I, pretty Ellowyn Kelsey is a redneck girl living the pretty redneck life in rural Michigan. This includes waiting for her roofer husband to come around, maybe notice the new curtains she put up, or even the flowers in her hair. Her self-imposed lobotomy ends simply enough--she shows up at the wrong time for a church picnic and ends up with a bunch of birders. Peering through a pair of borrowed binoculars, she realizes the love between a mating pair of bluebirds is more profound than what she shares with the bonehead she's married to. Something in her breaks.

She's young, naive, and despite that everyone else around her recognizes what she is going through, she doesn't--until the depth of her pain and emotion holds her captive. She doesn't understand it, the end of her empty marriage and she really did try to cuss less though hanging around with her best friend Patty didn't help. What did he want from her exactly? Did he even love her? Everyone knew her marriage to Eddie was doomed before she did. How can she be the last to know? She is indignant, hurt. She has no idea how to process the emotional sideswipe. Her loss and pain is expressed through the crazy narcissistic melodrama of youth, justified or not. Her reluctant yet unabashed accomplice is Patty.

Part II finds her experiencing yet another major loss. This time, it forces her to grow up, evaluate. She finds refuge in nature, in her birds, in science, making true her mother's prediction--a chasm may form someday between her new and old life, between she and Patty. Her new life is about ecology, birding, nature, science--getting out of her rural town, maybe even going to college. As the narcissism of her youth, her "prior" life wears off, so grows the divide between the people in her town. She starts to care about something bigger than herself (God forbid!)--her ailing planet. This only serves to amuse the "rednecks and assorted white trash" of her rural town who waste no time labeling her as their own "token environmental wacko". She stays focused. She loves ecology, birds, but wait a minute, what's that strip mall doing there? She meets Kate, one of the first female biologists to be hired by the state Fish and Game Department. In addition to enduring her role as a trailblazer in a male-dominated profession (i.e. the spontaneous massages, etc.), Kate has spent her life fighting to "protect the environment". It hasn't really worked out. Kate's really angry and nobody likes Kate. Who wants to end up like Kate? Is this the price you pay for caring about something bigger than yourself? Ellie wonders if she shouldn't head back to the fart jokes, Foosball,and Budweiser; but the barbecues just aren't as much fun anymore. She meets someone at one of those infamous barbecues. He likes her.

She runs like hell, and she keeps running, to the other side of country. She leaves her boring rural life in Michigan to travel "out west" where she has some very unexpected experiences: roaming spirits in the desert, accidental crusades against development at her sister's place in San Diego, geographically diverse sexual encounters that include a "real cowboy" and a "real Indian", a Miwok/Paiute BLM park ranger out of Mono Lake. Then there are those amazing sandhill cranes--and who is this guy in my tent?

She can't dodge it try as she may--the inevitable grief life thrusts upon all of us, including the grief of watching nature get destroyed by her own species. And then there's the dog. Her wonderful wonderful dog. She passes through all the stages every aware person passes through, some staying in one stage, comfortably or not, while others stay stuck in despair, hopelessness...alcohol and drugs always optional.

Major influences: Ed Abbey, Tom Robbins, John Irving, Rachel Carson, T.C. Boyle, J.D. Salinger, Pam Houston, Kurt Vonnegut, many others.

When Virginia was eight years old, she left for school in the morning, her new street the first one within a sprawling beautiful old farm, a place where she and her brother roamed. By the time she got home from school that day, most of the farm had been destroyed to make room for more streets, more houses, as the dream of suburbia was born in America. It was a traumatizing experience for her, converting her into an "environmentalist" before the concept, word even existed. The carnage continued as the once immense biodiversity of the eastern deciduous forest she lived within forced hundreds of species to flee, many dying. Ironically, their new suburban home was converted into an ad hoc wildlife rehab center. (Scenes from Birdbrain draw from this experience). Now when she woke up, she watched giant earth movers moving across the horizon as yet more foxes and raccoons, even toads and frogs, sought refuge in their new suburban yard. 

Virginia continued this possibly hopeless path by earning two degrees, B.S. in Field Biology, and a M.S. in Ecology. She has been a professional field biologist for over 20 years and has worked for state and federal resource agencies in addition to running her own business doing conservation-based work, teaching, and writing.

Her field work and passion for travel (especially traveling throughout the United States as her love and fascination for her own country is never-ending) has taken her from one end of the United States to the other. She also enjoys exploring in Europe. 

Her novel reflects actual experiences throughout her life and career. Though she attempted to return to the Midwest from whence she hailed, the high density shopping mauls’ where forests and prime farmland used to exist drove her back to the west coast, though the west coast has certainly caught up.