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The Art of Pranksterism
A Visual Journey With the Merry Pranksters
by Sarah Fisher View author's profile page

Overview


Some people embrace the concepts of the weird, the odd, and the strange, forming subcultures of collective identities that allow individuals to enact a symbolic anarchical protest of conventional society. For the Merry Pranksters, this protest is achieved through twisting conventions of style, art, and spirituality. Dive into the adventure within this visual journey of artistic exploration as the Pranksters celebrate fifty years of DayGlo.
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Description


Some people embrace the concepts of the weird, the odd, and the strange, forming subcultures of collective identities that allow individuals to enact a symbolic anarchical protest of conventional society. For the Merry Pranksters, this protest is achieved through twisting conventions of style, art, and spirituality. Dive into the adventure within this visual journey of artistic exploration as the Pranksters celebrate fifty years of DayGlo. This community evinces elements of subcultural identity, allowing for a conceptual analysis of the folklore found within the culture. Using a comparative behavioral approach, "The Art of Pranksterism" defines the elements of the Merry Prankster subculture that began with Ken Kesey and his friends in the 1960s. It goes on to investigate how members of the subculture use art and costumes to express individuality while evoking communitas within the subculture. While many scholars consider the individual desire to participate in a community that joins together during festivals, "The Art of Pranksterism" focuses on what compels some people to "drop out" of society when joining or identifying with subcultures. An exploration of festivals draws on performance theory, subcultural theory, and religious folklore. And while previous research focuses on the history of the Pranksters, "The Art of Pranksterism" instead focuses on the continuation of the Prankster subculture through community and art.
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About the author


Sarah Fisher holds an AS in Business Administration from Penn State, a BA in English and history from the University of Maryland, a graduate certificate in Museum Studies and an MA in Folklore and Public Culture from the University of Oregon. She is currently the Folklore Archivist Collection Coordinator at the Randall V. Mills Archives of Northwest Folklore, and a member of the Association of Recorded Sound Collections (ARSC). She is co-editor of "Cooking with Folklore: Recipes from the Randall V. Mills Archives of Northwest Folklore" (2018). "Cooking with Folklore: Recipes from the Archives, Volume II" is currently in the editing process, to be published in Fall 2019. She is the curator of the exhibit "From Folk to Folklorist: An Archives for Everyone" (2018-2019) on display in the Knight Library at the University of Oregon. Her first book, "The Art of Pranksterism: A Visual Journey with the Merry Pranksters", was published in 2019 and explores folkloristic and subcultural theoretical models in application to the artistic community of the Merry Pranksters.
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Book details

Genre:SOCIAL SCIENCE

Subgenre:Folklore & Mythology

Language:English

Pages:136

Format:Paperback

Paperback ISBN:9781543965346


Overview


Some people embrace the concepts of the weird, the odd, and the strange, forming subcultures of collective identities that allow individuals to enact a symbolic anarchical protest of conventional society. For the Merry Pranksters, this protest is achieved through twisting conventions of style, art, and spirituality. Dive into the adventure within this visual journey of artistic exploration as the Pranksters celebrate fifty years of DayGlo.

Read more

Description


Some people embrace the concepts of the weird, the odd, and the strange, forming subcultures of collective identities that allow individuals to enact a symbolic anarchical protest of conventional society. For the Merry Pranksters, this protest is achieved through twisting conventions of style, art, and spirituality. Dive into the adventure within this visual journey of artistic exploration as the Pranksters celebrate fifty years of DayGlo. This community evinces elements of subcultural identity, allowing for a conceptual analysis of the folklore found within the culture. Using a comparative behavioral approach, "The Art of Pranksterism" defines the elements of the Merry Prankster subculture that began with Ken Kesey and his friends in the 1960s. It goes on to investigate how members of the subculture use art and costumes to express individuality while evoking communitas within the subculture. While many scholars consider the individual desire to participate in a community that joins together during festivals, "The Art of Pranksterism" focuses on what compels some people to "drop out" of society when joining or identifying with subcultures. An exploration of festivals draws on performance theory, subcultural theory, and religious folklore. And while previous research focuses on the history of the Pranksters, "The Art of Pranksterism" instead focuses on the continuation of the Prankster subculture through community and art.

Read more

About the author


Sarah Fisher holds an AS in Business Administration from Penn State, a BA in English and history from the University of Maryland, a graduate certificate in Museum Studies and an MA in Folklore and Public Culture from the University of Oregon. She is currently the Folklore Archivist Collection Coordinator at the Randall V. Mills Archives of Northwest Folklore, and a member of the Association of Recorded Sound Collections (ARSC). She is co-editor of "Cooking with Folklore: Recipes from the Randall V. Mills Archives of Northwest Folklore" (2018). "Cooking with Folklore: Recipes from the Archives, Volume II" is currently in the editing process, to be published in Fall 2019. She is the curator of the exhibit "From Folk to Folklorist: An Archives for Everyone" (2018-2019) on display in the Knight Library at the University of Oregon. Her first book, "The Art of Pranksterism: A Visual Journey with the Merry Pranksters", was published in 2019 and explores folkloristic and subcultural theoretical models in application to the artistic community of the Merry Pranksters.
Read more

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