Michael Biddison early works (from 1- 6 years old) went the gamut from enthusiastic scribbles and jibberish to found art works from dumpsters to dinosaur cartoons to singing silly songs theatrically (either by himself or with his brother). Later when he discovered people could go to college for this sort of thing, he enrolled in a BFA program to start his more formal training in the arts. With a concentration in painting and drawing, a minor in political science, a host of theatrical credits and summers playing original music 6 nights a week with his band Ticapoo Brain (always a brilliant one with naming projects), he has charted an exuberant if somewhat unpredictable course that continues to present. In truth, although he often has thought of himself as an artist and a musician, he has always straddled the traditional lines between these … and most other categories.
The interest in odd unexplainable used objects that started with the early dumpster diving era, only got more acute as he found himself repairing and restoring antique furniture with a fellow sculptor in Boulder Colorado (Peter Cree if you must know) who helped wise him up to the fact that "unuseable furniture" and their parts could be adapted to make amazing functional or not so functional art pieces that were carved and painted and assembled in unexpected ways. Also he learned at this time that flying by the seat of his pants could be a great adventure. Or at least he remembered it.
Furniture led Michael to houses, which are bigger than furniture. Also they have a lot more "unusable parts" and are more likely to need to be adapted to the current lives of the inhabitants. An added benefit he discovered was that restoring and re-inventing buildings and their component parts could be a decent way to keep the bank account numbers in the positive territory while being intrigued and challenged. It's worth mentioning that during this time of his growing involvement with this restoration carpentry realm and the beginnings of making a family, he always found ways to continue making visual artworks and writing/performing his music. In fact the balance was made possible because of it. He found that each realm contributed to the others in unexpected and powerful ways.
So the found objects found there way into his visual artworks. His challenges and enchantments with being a father or a husband or a worker made it into songs. The people who had houses that were the source of the junk of his art often enough became collectors of the transformed objects or audience members his band "the llama dalis" (yes, he still had the knack for naming projects).
With all of this cross pollination going on it began to get just too much for people to understand how the various revolving orbs all made sense together. So he began to write essays to clarify the process. Which only seemed to cloud the waters. He eventually realized it was a easiest to just stop calling himself an artist and to start calling himself a Zartist. Zart. The art of everything. So here it is. Everything.
Michael also likes avocados, coffee and spicy foods of all kinds.
Everything.