R. Hayes-Marshall was born at St Mary Abbots Hospital in London in 1949 and was diagnosed as bipolar in Sydney Australia in 1995. The eldest son in a solitary family of two boys, he spent his early years dancing, drawing, reading and writing poetry, and building castles in the sand. From the celebrated Australian Ballet School he joined The Melbourne Theatre Company; where he combined work in the theatre with roles as a dancer in the Australian Opera Ballet, before traveling overseas to study the history of theatre. He lived in London, Holland, Germany and Paris, spending time traveling back and forth across Europe working as a teacher, a professional actor, a writer and director. At L’Ecole Jacques Lecoq in France he studied human locomotion, gesture, and physical movement combined with an articulate analysis of theatre history and the many philosophies relating to human behaviour, from where he moved to the USA and started a Drama School. Years later he returned to Australia with his wife and two daughters. In Melbourne a third daughter was born and within a few months he started to experience feelings of extreme sadness and distress, leading to several periods of psychiatric hospitalization, his wife and three daughters returned to the USA. He remained in Australia and remarried; performed, directed, wrote, produced and lectured as an aficionado of classical theatre skills at various schools including The National Institute of Dramatic Art (NIDA). The return to Australia of one of RHM’s daughters triggered a downward spiral that led to a suicide attempt, the outcome, being a diagnosis of Bipolar Disorder and long periods of hospitalisation. Resilient as always, RHM remarried again for the third time, and now as a family of four we have a beautiful daughter and all live together in the Blue Mountains of NSW. In parallel with some low times, RHM has created a bountiful number of productions in theatre, film, art and music, teaching 100’s of student’s, touching their lives with depth and a profound link to knowledge of the human body. Writing this book with his friend AWJ has led him to reveal aspects of knowledge, uncovered that coincided with the dilemmas presented by being bipolar. Now he is working on another book, dealing with the ‘Self’ in crisis, a detailed account of what it is like to be ‘sectioned’ at the peak of one of life’s traumas. By continuing to transcribe many poems, and scripts that look more closely at the individual and the tribulations of living with mental illness in this, his years of supposed relaxation and easement from the many passions essential for life.