- Genre:poetry
- Sub-genre:American / General
- Language:English
- Series Title:The Wild Sonnets
- Series Number:4
- Pages:112
- Paperback ISBN:9781667822730
Book details
Overview
This fourth book of Wild Sonnets contains some of my more personal poems, while continuing the search for way to imaginatively compress a sequence of emotions into the span of fourteen lines. I think there is an easier flow to most of the work here, and yet the lines are always leaning into what is musical in language, while making unexpected connections between images and what we feel.
Description
NOTES ON THE WILD SONNETS | FROM NICHOLAS KORN
Reviews for The Wild Sonnets: Volume IV (301-400)
Substance and form come together in beauty
Nicholas Korn brings the stuff of life into a boiling pot, contemplating the very essence of humanity. He delves into the broken heart, the loss of friendship, the healing of souls, asking and answering questions that are at our core. This is his best work yet.
– Alissa S.
About The Wild Sonnets
The Wild Sonnet format follows the traditional length of fourteen lines, but divides the poem into two stanzas of seven lines, each closing with a rhyming couplet. The five preceding lines are a rambling iambic, sometimes pent up in a pentameter and sometimes not. Occasionally, there are internal rhymes to give the work an echo both to the tradition of the form and to the thoughts within poem.
The feeling of each Wild Sonnet is meant to sound something like a soliloquy – as if it were an utterance coming just after a striking thought or situation. There is a stream-of-conscious sense to the flow of each stanza, a fretwork of association that circles back upon itself. The transition from the first to second stanza is meant to be bit of a break, a moving forward from the initial idea in an unexpected direction.
The structure and sensibility of The Wild Sonnets are influenced by great poets of the past, most notably: William Shakespeare, Emily Dickinson, Dylan Thomas, e.e. cummings, Gerard Manley Hopkins and John Donne.