The Vicious Red Relic, Love

The Vicious Red Relic, Love, re-enacts Springer's relationship with [Gil], a sometimes endearing, sometimes frightening addict and cult survivor who did not disclose to Springer that she'd tested positive for HIV. Brilliantly conceived as a training manual, survival guide and time machine, the book returns to 1990s San Francisco and deftly weaves feminism, deviance, punk rock and Sumerian literature into a cauldron of post-Reagan/Bush-era neoliberalism and AIDs grief.

The Vicious Red Relic, Love, re-enacts Springer's relationship with [Gil], a sometimes endearing, sometimes frightening addict and cult survivor who did not disclose to Springer that she'd tested positive for HIV. Brilliantly conceived as a training manual, survival guide and time machine, the book returns to 1990s San Francisco and deftly weaves feminism, deviance, punk rock and Sumerian literature into a cauldron of post-Reagan/Bush-era neoliberalism and AIDs grief.

visual artist who makes grotesques - creating hybrid texts that combine sacred and profane elements to evoke intensely embodied conceptual-emotional experiences in readers. Formerly a singer in the Bay Area bands, Blatz, The Gr'ups, and Cypher in the Snow, Anna Joy has toured the United States and Europe being a wild feminist punk performer, and also toured with the all-women spoken word extravaganza, Sister Spit. She is author of the illustrated novella, The Birdwisher (Birds of Lace). She received her MFA in Literary Arts from Brown University, and is now Associate Professor of Literature at University of California at San Diego, where she truly loves teaching courses in Experimental Writing, Graphic Texts, and Postmodern Feminist Literatures.