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Book details
  • Genre:ART
  • SubGenre:Individual Artists / Artists' Books
  • Language:English
  • Pages:162
  • Paperback ISBN:9781543964530

Stained Glass and Beyond

Light and Colour in Contemporary Architecture

by Milcho Silianoff

Book Image Not Available Book Image Not Available
Overview
Acclaimed works at Fort Bragg JFK Memorial Chapel and University of Pittsburgh Cathedral of Learning reveal examples of his stained glass designs. His forward thinking theories and visions illuminate and enhance churches, residential, and public spaces throughout the United States. Unique and authentic, the pages of this book provide a glimpse into the mind's eye of this artist. Silianoff's detailed ideas are illustrated in their genesis and evolutionary form.
Description
Acclaimed works at Fort Bragg JFK Memorial Chapel and University of Pittsburgh Cathedral of Learning reveal examples of his stained glass designs. His forward thinking theories and visions illuminate and enhance churches, residential, and public spaces throughout the United States. An art diary of creativity in progress, the insights into the thoughts of this artist's design theories are offered in their unedited and original form. His handwritten, in depth notes are based on his decades of design experimentation and creation. The science behind the expressive and receptive nature of the arts and architecture are explored in detail. Unique and authentic, the pages of this book provide a glimpse into the mind's eye of this artist. Silianoff's detailed ideas are illustrated in their genesis and evolutionary form. Provenance for this book is held by his daughters, archivists for his wealth of sketches, designs, and stained glass panels.
About the author
Milcho Silianoff 1924-2003 Mind-Body-Spirit Described by his father as his dreamer son, Milcho was an artist of diverse interests. He was an early subscriber of holistic medicine, physical exercise, organic food, and was a philosophy and classical music enthusiast. Spiritual foundations were rooted in his Eastern Orthodox Church and decades of liturgical stained glass designing required thorough examination of diverse theologies and perspectives. He remained steadfast in his belief that we are all striving to connect to a higher spirit and able to use art forms as a means of transcendence.