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Book details
  • Genre:MUSIC
  • SubGenre:Printed Music / Piano & Keyboard Repertoire
  • Language:English
  • Pages:152
  • Paperback ISBN:9781734721805

Piano Music

by James D. Matthews

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Overview
James D. Matthews Piano Music is a collection of original solo piano compositions. Coming from the great classical-romantic music tradition with contemporary elements, the music is rich, complex, and expressive. It seeks to be accessible and engaging both on first and repeated playings, but with enough soft dissonance and counterpoint to keep things interesting. 21 compositions are presented here, including movements of two sonata-like four movement pieces, Nocturnes, an Impromptu, Variations, and the beautiful Lullaby. The pieces range from moderate to difficult technically. Chopin, Scriabin, Ravel, Rachmaninoff, and Samuel Barber are favorite composers that inform these works.
Description
James D. Matthews Piano Music is a collection of original solo piano compositions spanning 1984 to 2018. 1. Lullaby. 2. Sonata #1 "En-Suite": Searching. Scherzo. Loneliness; Dance for Two. Four Bar Finale-Rejoicing. 3. Sonata #2 "Liturgical:" Song of Praise. Veni creator Spiritus/Come Creative Spirit. Dies Irae/Day of Wrath. The Dream; In Paradisum. 4. Variations. 5. Nocturne E-flat. 6. Nocturne HCR (Handel, Chopin, and Rachmaninoff, over Lunch). 7. Nocturne HCBR (Brahms - joining Handel, Chopin and Rachmaninoff - always complicates things). 8. Nocturne St. Louis. 9. Impromptu. 10. Three Studies: Finger Twister. Fanfare. Just Playin'. 11. Three Preludes for Coloratura Piano: Bewitchment. Gossamer. Sound and Fury. 12. Glazunov Prelude Transcription.
About the author
James D. Matthews is a graduate of the College of William and Mary where he was a music and biology major, with focus on piano performance with Claudia Stevens and composition with Edgar Warren Williams. He studied privately with Paul Mathews of Peabody Institute of Johns Hopkins University. A lifelong student and patron of the arts, compositionally he is largely self-taught, or at least taught by experience and passion. The work is his own unique voice, though influenced by some of his favorites: Chopin, Scriabin, and Ravel, with an overlay of contemporary/new age sound. He has always strived to write music that is passionate, intelligent, and listenable - and above all beautiful. Beauty as a goal of art may be out of fashion, but not here. Scarlatti worked in isolation; Chopin was criticized for composing only for piano; Bach's style was considered anachronistic in his day. "If this is the company I am doomed to be with, then I am content." As he works outside the musical field (he's also a doctor and dad), he has also worked in relative isolation. Come play, and enter the world of these anachronistic, individualistic - and beautiful - piano works.